Some great violin playing from Wilbur Hall in this video. Hall's version of Pop Goes the Weasal seen in this clip was apparently the inspiration for the 3rd movement of Oliver Knussen's Violin Concerto (not that you can particularly hear the influence, mind). I love the way he keeps hitting an out of tune note, and then doing a quick open-string re-tuning, very funny.
Also check out this arrangement of 12th Street rag for 'collapsable trombone' and 'stereophonic bicycle pump' (it gets going after the first 40 secs or so)
This May 28th Meet the Composer Foundation is holding a gala dinner in honour of world-renowned soprano and great muse of composers, Dawn Upshaw. I'm thrilled that Dawn requested a piece of mine to be played at the event, and delighted that my friends at Metropolis Ensemble have agreed to help out - all very last minute - and perform a specially arranged version of Three Pieces from Piosenki with the adorable Melissa Wegner and the charming Kyle Ferrill (;
This annual event organized by Meet the Composer honors a prominent American artist. The benefit committee includes Esa-Pekka Salonen, James Levine, Robert Spano, Osvaldo Golijov, John Adams, among others.
Dawn was involved in the original Carnegie Hall commission of Piosenki, and has recently been incredibly supportive of my music, commissioning Bird for her students on the Graduate Vocal Arts Program at Bard College, NY and scheduling performances of Piosenki herself in the fall (of which more soon).
There's a big difference between good flamenco and bad. Seeing Jesus Montoya at Ainadamar the other day reminded me of the need for good flamenco (he was on fire). A rather lame hunt through itunes using the keyword 'flamenco' revealed rather a lot of the bad side of flamenco - cheesy, overproduced, cliche-ridden. Then I remembered the incredible singing on Almodovar's Volver - a quick search on that lead me to the voice behind the Cruz - Estrella Morente, who it turns out is the daughter of one of Flamenco's leading lights, Enrique Morente. Anyway, she really has gyspy passion in abundance, and listening to Mi cante y un poema make's the heart sing and weep in equal measure - as only good flamenco can.
There's some great lyricism on the album, but I'm always a fan of the flamenco 'Buleria', of which this album boasts some fist-stompingly fine examples.
The full recording of my arrangements of Satie's Sports et Divertissements is now available here. The first performance here was given by the Metropolis Ensemble, conducted by Andrew Cyr and narrated by Mike Daisey.
I've added the texts that Mike Daisey read and the full recording including Mike's narration is at the bottom of this page. I must say I was particularly pleased with the tennis ball effect in no.21 (it's the conductor bouncing it).
Here are a couple of my favourites:
02 - La Balancoire - In a swing: My heart it is that swings and swings, it never gets dizzy. What tiny feet it has. Will it want to come back to my chest
09 - Le Bain de mer - Sea-bathing: The sea is wide madame. At least it's deep! Don't sit on the bottom it's very damp. Here come some nice old waves. Oh Madame! You are all wet. Oui Monsieur, they're full of water
10 - Le carnaval - Carnival: Confetti is falling all around. That one has on a melancholy mask. A tipsy Pierot tries walking straight. Enter, gracefully, some masked ladies. People push to see them, are they pretty?
15 - Le Pique-nique - Picnic: Everyone has brought potato salad. You have on a lovely white dress. Oh my! An aeroplane. Not at all, it's a storm coming up.
19 - Le Flirt - Flirtation: They say pretty things to each other. Modern things. 'How are you?', 'Don't you find me nice', 'Leave me alone', 'You have such big eyes', 'I wish I were on the moon'. He sighs. He shakes his head.
21 - Le Tennis - Tennis: Play? Yes! He has a good serve. What handsome legs he has. And a fine nose! A slashing serve. Game!
During my trip to New York last month I popped into the city to have a chat with Mike Daisey who is going to be the narrator for my arrangement of Satie's Sports et Divertissements - this was organised by the Metropolis Ensemble to promote the forthcoming concert - see the video clip above for Part 1 of our chat.
If you're in NYC this Thursday do please head along to the Metropolis Ensemble Spring Concert to hear the concert. I can't wait to hear what the ebulient Mike brings to the piece. There's lots of other great music on the programme including a premiere by Ryan Carter, and pieces by Salonen and Ravel. Essa-Pekka himself is reportedly attending.
Update!
Three more short videos of the chat are now available here, including, in part 4, details of The Great Tennis Ball Secret. Tickets to the concert are reportedly selling fast, so if you fancy coming book now
The premiere performances of A Bird in Your Ear at Bard College, NY, were a great success at the weekend. I hope to have some better pictures and samples later, but for now here is one with all the soloists:
and one of me with wonderful Dawn:
And here is a taster:
Taster
Numbers 2-3 - I was a nightingale
Number 4 - The nightingale sings
Number 5 - Ivan went out walking
Number 6 - When the storm was over
Bard College Orchestra & Choir, conducted by James Bagwell, Yulia Van Doren soprano, Sungeun Lee tenor, Yohan Yi Baritone, Chanel Wood Soprano, Rie Miyake Soprano, Kristin Ezell Soprano, Melissa Wegner,Soprano, and Tania Rodriguez Mezzo-Soprano.font>